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exposant 42

Hello, my name is Alex!

I like poetry, hair, patterns, 8-bit stuff, languages (especially lojban), flowers, and just people in general.

I'll also frequently post homestuck, Pokémon and Adventure Time stuff.

I like all kinds of music (Los Campesinos!, La Dispute, James Blake, Geotic, Weezer, Nicolas Jaar, Death Cab For Cutie, Brother Android, Pink Floyd, Anamanaguchi, My Chemical Romance, These New Puritans and many more).

I make art sometimes too!.

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music

stars

original art

Les sagas mp3 que vous devriez écouter

mixtapes

portfolio

lofi picture project

my new aesthetics/internet art wallpaper project

Ask me anything

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  1. low-country:

Fabrice Samyn - All Saints (August) (2011)

During 2011, the artist recorded hundreds of names carved by strangers in public places, on benches, trees, in the street. Once he had covered them in gold leaf, the first names were photographed and 365 of them were selected by the artist to produce a universal calendar. The places where these names were discovered and photographed are primarily places of rest or observation. Public places, at any rate. Places where people want to record their presence, be part of it, express themselves, exist. Samyn likes the idea of elevating wanderers to the status of saints.

(Meessen De Clercq) low-country:

Fabrice Samyn - All Saints (August) (2011)

During 2011, the artist recorded hundreds of names carved by strangers in public places, on benches, trees, in the street. Once he had covered them in gold leaf, the first names were photographed and 365 of them were selected by the artist to produce a universal calendar. The places where these names were discovered and photographed are primarily places of rest or observation. Public places, at any rate. Places where people want to record their presence, be part of it, express themselves, exist. Samyn likes the idea of elevating wanderers to the status of saints.

(Meessen De Clercq)
    High Resolution

    low-country:

    Fabrice Samyn - All Saints (August) (2011)

    During 2011, the artist recorded hundreds of names carved by strangers in public places, on benches, trees, in the street. Once he had covered them in gold leaf, the first names were photographed and 365 of them were selected by the artist to produce a universal calendar. The places where these names were discovered and photographed are primarily places of rest or observation. Public places, at any rate. Places where people want to record their presence, be part of it, express themselves, exist. Samyn likes the idea of elevating wanderers to the status of saints.

    (Meessen De Clercq)

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