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exposant 42

Hello, my name is Alex!

I like poetry, hair, patterns, 8-bit stuff, languages (especially lojban), flowers, and just people in general.

I'll also frequently post homestuck, Pokémon and Adventure Time stuff.

I like all kinds of music (Los Campesinos!, La Dispute, James Blake, Geotic, Weezer, Nicolas Jaar, Death Cab For Cutie, Brother Android, Pink Floyd, Anamanaguchi, My Chemical Romance, These New Puritans and many more).

I make art sometimes too!.

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  1. low-country:

Pol Bury - Chicago (1969)

In 1962 the kinetic sculptor Bury began a series of photobased works called “Cinetisations” in which he cut photographs of architecture and works of art into thin strips that he reassembled to create compositions that appear to swerve, buckle, or collapse into themselves. In an interview in 1970, Bury explained, “My cinetised skyscraper reveals the slow-motion work of gravity… . The intervention in the image might seem to be a menacing desire to destroy, but we must see in it the wish to give an air of liberty to that which thinks itself immutable.” He made this “cinetisation” of the Richard J. Daley Center, Chicago’s tallest building from 1965 to 1969, when he was teaching in Chicago in the late 1960s.

(Metropolitan Museum of Art) low-country:

Pol Bury - Chicago (1969)

In 1962 the kinetic sculptor Bury began a series of photobased works called “Cinetisations” in which he cut photographs of architecture and works of art into thin strips that he reassembled to create compositions that appear to swerve, buckle, or collapse into themselves. In an interview in 1970, Bury explained, “My cinetised skyscraper reveals the slow-motion work of gravity… . The intervention in the image might seem to be a menacing desire to destroy, but we must see in it the wish to give an air of liberty to that which thinks itself immutable.” He made this “cinetisation” of the Richard J. Daley Center, Chicago’s tallest building from 1965 to 1969, when he was teaching in Chicago in the late 1960s.

(Metropolitan Museum of Art)
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    low-country:

    Pol Bury - Chicago (1969)

    In 1962 the kinetic sculptor Bury began a series of photobased works called “Cinetisations” in which he cut photographs of architecture and works of art into thin strips that he reassembled to create compositions that appear to swerve, buckle, or collapse into themselves. In an interview in 1970, Bury explained, “My cinetised skyscraper reveals the slow-motion work of gravity… . The intervention in the image might seem to be a menacing desire to destroy, but we must see in it the wish to give an air of liberty to that which thinks itself immutable.” He made this “cinetisation” of the Richard J. Daley Center, Chicago’s tallest building from 1965 to 1969, when he was teaching in Chicago in the late 1960s.

    (Metropolitan Museum of Art)

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